Harvest Decor

Having grown up on a farm, I’m nostalgic for the harvest season that starts in late September.  Perhaps that’s why I loved this image of grapes hanging from the ceiling  of an Umbrian farmhouse.  According to the story in the September issue of The World of Interiors these clusters of moscatello, trebbiano and malvasia grapes hang above an open fire for four months taking on the flavors of the smoke and whatever else is cooked on the fire.  Then they’re pressed to make vin santo. The owner, Isabella dalla Ragione, says “it’s the most beautiful ceiling you could ever see.” I dare say she’s right.

Photo by Tim Beddow

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Friday Things: That Old September Feeling Edition

Over the summer I’ve been re-reading Wallace Stegner’s “Angle of Repose” and thinking how much more I bring to this reading now than I did when I read it in my 20s.  Today I came across this quote near the end of the novel—

“For several weeks now I have had the sense of something about to come to an end—that old September feeling, left over from school days, of summer passing, vacation nearly done, obligations gathering, books and football in the air. . .another fall, another turned page.”

Here in the Oakland hills September means glorious sunsets and warm—sometimes too warm—days.  The deer grow bold and forage for food under our noses.  Every night as the golden hour begins they cross the road from the open space and sniff around my front yard hoping to score some fallen apples.  Yesterday I played peek-a-boo with an antlered buck as I made my way to and from the mailbox then sat on the front deck reading the latest issue of the New Yorker as he and his family milled about under the oaks.  They made good company for turning pages.

Here are some other lovely things I observed this week—

Beautiful DIY blue wrapping paper

A cool but vertigo-inducing off-the-cliff dwelling in Australia.

Helpful humor for household dilemmas.

How techies limit tech time for their kids.

Two very different work spaces for two talented fashion designers—Vera Wang’s monochromatic zen office and Diane Von Furstenburg’s colorful library office .

And speaking of fashion, I’ve mentioned before that my daughter Claire designs sets for the fashion industry.  It’s always fun during NYFW to see what she’s been up to.  Check out the Barbie-pink suburban house surrounded by pink gravel and pink shag carpet she worked on for the Marc Jacobs Spring 2015 fashion show.  Wow!

 AP Photo/John Minchillo

 Happy Weekend All!

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Friday Things: The Standing Desk Edition

Ever since I read writer Susan Orlean’s New Yorker piece about working at a treadmill desk, I’ve been intrigued by the idea of walking or at least standing while I work.

When we bought this house we thought it came with a built-in office desk. However, when we moved in we found that the (not built-in after all) desk was gone.  Since I’d already tossed my old (battered, ready-to-be-retired) desk, I was slightly disappointed—one more thing to buy!—but quickly realized that I could now pursue a walking/standing desk.

After doing some online research I decided to start with a “sit-stand” desk to see how much I’d really stand while working before investing in a treadmill. I then test-drove a few desks at Ergot Depot near the San Francisco Design Center. I ended up purchasing the Humanscale “Float” desk for three reasons:

  • I already have a Humanscale desk chair that I love.
  • I didn’t want to be dependent on the electrical component of other desks (you raise and lower the Float manually.)
  • I liked the slimmer, sleeker profile of the desk.  (Form + Function!)

It took longer than expected for the desk to arrive—the company estimates three weeks, it was closer to six—but now that it’s here I’m really enjoying it. Especially if I’m doing research online, I find I don’t mind standing and I feel much better for not sitting all the time while I work.

Do you work at a standing or walking desk?  I’d be interested in hearing about your experience.

***

Here are some other new things that made my life better this week.

Now that we’re settled into our new home, I’d like to have a few folks over for dinner  and incorporate some of these dinner party tips.

Joan Rivers‘s funeral request had me laughing even after she was gone.

When it comes to creative projects, are you a “leaver-outer” or a “putter-inner?”

This cross-country photo project looks like it’s worth kickstarting.

Experience the power of a bookbook.

Classes at my pool/gym were so packed this week, you’d think it was January–which made me think about this post on working out.

It’s always a delight to see the young SYTYCD competitors “float” through the summer dance competition. Now that the season’s over, it’s hard to pick a favorite routine but I couldn’t resist the sheer joy conveyed in Zack and Valerie’s stair stepping tap number.

 Happy Weekend All!

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California Color Dreamin’

As summer draws to a close, the landscape here in rain-starved California is dominated by straw-colored hills dotted with silvery-green foliage.  It took me years to appreciate this dusty color palette having grown up in a place that was either bright with summer rain or starkly white under a layer of snow.  But now these mellow “Golden State” colors feel like home.  Perhaps that’s why I was so taken with San Francisco designer Benjamin Dhong’s design for a South Bay couple in the September “Color” issue of House Beautiful.

As he explains in his interview with Mimi Read, Dhong favors a mix of rustic and glamorous elements, like this green velvet ottomon paired with a distressed fireplace mantel.

He also knows his way around neutrals, as seen in the elegant white-on-white bedroom and East-West inspired living room with its sunny accessories.

After a few years awash in watery blues, it’s nice to see the sun shine in.

All photos by Lisa Romerein for House Beautiful.

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Earthquake

Yesterday I woke up in the early a.m. dark because my bed was shaking.  Actually, not just my bed, I realized, but the whole room.  Eyes wide open now, I recognized that it wasn’t just my room but my entire house that was shuddering in the night. “Earthquake!” I elbowed M.J. awake. “Earthquake!”

He stumbled around in an unfamiliar space (we’re sleeping downstairs while the tile work is happening upstairs), shut the door to the adjacent office and fell back into bed murmuring “ just the wind,” before promptly dozing off.  Hmm, I thought, that was some mighty wind.

I checked my phone for reports of an earthquake. I saw there’d been a 6.0 quake about 30 miles away but couldn’t believe that was the quake that had rattled me awake.  I mean, it had gone on longer than average, but 6.0 is a BIG earthquake and this didn’t seem that big.  I’d lived through the Loma Prieta earthquake, after all, and thought I knew what BIG felt like. This felt moderate, thankfully. (Not to those closer to the epicenter, I know–prayers winging their way.) But still, it was big enough to keep me restless in the dark wondering where our earthquake supply stuff landed after the move.

I’d seen the empty water canisters on top of some piles in the garage.  I knew the unplugged emergency battery/radio/flashlight thingy was in the tansu chest next to M.J.’S side of the bed. But the crow bar to get out of a collapsed house? The basic camping supplies to provide shelter?  No idea.

I’ve lived in California for 34 years now.  Long enough to know what supplies are recommended to survive in the case of a major earthquake.  Water, mostly.  Some medical supplies, a bit of food,  basic shelter items and pieces of clothing like a jacket and shoes in case the quake happens in the middle of the night and you need to walk somewhere in more than your nightgown and bare feet. Oh, and a 72-hour survival kit that you can take with you if necessary.

None of those things were in place yesterday.

So today I plugged in the battery/radio/flashlight thingy.  Filled the empty water canisters.  Located the camping supplies and ordered a new two person 72-hour survival kit.  (Inevitably, the food starts to turn or critters get into them or they get misplaced–it was time for a new one.)

A friend at the gym today said she keeps a crowbar outside her house so she could get in if she was outside and it collapsed in an earthquake. Guess we need one of those as well.  Time to reassemble a bin of old, warm clothes and shoes just in case.  Here’s hoping I’ll never need to use a single one of these things. May they all go to waste.

What emergencies do you prepare for in your part of the country/world? Do you keep emergency supplies around your house?  Inside or out? Any suggestions as I work on this latest round of emergency preparedness?

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Friday Things: The Floor Tile Edition

After taking a few months off from home-remodeling projects to travel and entertain house guests, we’re back at it. Today I’m trying to hear myself type over the bang-crash-clang of demolition.  If I didn’t know better I’d think some super heroes were duking it out upstairs.  But no, it’s the super-duper tile guys demo-ing one small bathroom floor after another.

We were just going to fix the powder room floor–remember this?– but then when we found out it would cost as much to ship the tile for three bathrooms as for one we decided to go for consistency and replace them all at once.

As you can see, the master water closet floor is well underway. Nice to know there’s a little fuschia (waterproofing) zing beneath all that tasteful Ann Sacks taupe. Here are some other zingy things I liked this week:

How to appreciate your perfectly fine imperfect home.

Maybe by jotting down some “happy accidents” in this serendipity journal?

What a wonderful mix of serendipitous finds and intentional designs in San Francisco designer Steven Brady’s apartment–especially the dresser and lamps in the closet!

Speaking of closets, I had fun taking a peek into these two very different fashion editor’s closets.

Are your chairs perfectly paired or do you, too, have some lone rangers?

Oh my, there sure has been a lot of ice water flung about lately.  What would happen if Dorothy from the Wizard of Oz decided to take the Ice Bucket Challenge?

Happy Weekend All!

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Deep into Deep Summer

Deep summer is when laziness finds respectability.

Sam Keen 

 

I’m enjoying a few more days of lazy summer fun until the last child heads back to college. Hope you’re spending time with people you love as well.  More soon!

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American Craft Council San Francisco Show 2014

One of the unique features in our living room is a long, narrow display niche. I don’t know what the niche will ultimately hold, but for now it showcases various “blue” objects that came out of the moving boxes.  Things like the Korean pottery M.J. picked up in Seoul when he was a Mormon missionary there thirty-some years ago; one-of-a-kind vessels gathered in other travels;  and small vases from retailers like West Elm and Heath Ceramics.  There are also some yixing teapots from my brother and a funny planter shaped like a woman’s head (with blue eyes!) that M.J. snagged from his grandmother’s estate .

I’m thinking I might find a better, more consistent direction for the niche items at the annual American Craft Council Show this weekend at Fort Mason in San Francisco. If you’re in the Bay Area and interested in fine crafts including jewelery, glass, ceramics, woodworking and textiles, you can read more about the ACC show in my BANG article here. The show runs through Sunday–maybe I’ll see you there!

 

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A Most Interesting Pie

About this pie.  It’s made from this recipe in response to an offhand remark from my son-in-law Dan that “everybody likes a good strawberry-rhubarb pie, don’t they?”   Apparently, a good number of people do, as 6,366 people have paused to look at this pie photo so far today on Flickr.

I’d shared the photo in Susannah Conway’s August Break 2014 Flickr group last night. This morning, a nice woman from Thailand commented on it and congratulated me on making it onto the Explore page.  I wasn’t exactly sure what it meant to be on the Explore page, so did some “exploring” of my own and discovered that the Explore page features that day’s 500–about .005%–of the most interesting photos chosen from the thousands that are loaded onto Flickr worldwide every day. The featured photos are selected by a mysterious “interestingnous” algorithm that invites ample speculation.

I can’t really tell you why this pie photo out of the tens of thousands plugged into the algorithm debuted at #106.  But I can tell you a little bit about the making of this pie.

Sydney and Dan are on break from their academic endeavors and came west to split time between their families.  We happened to have them with us on their second anniversary so invited a few family friends over to celebrate. One of them offered to pick up a favorite dessert on her way and asked for the feted couple’s favorites.  I posed the question to Sydney, she said she preferred cake to pie.  Later, with Dan in the room, after I’d already told my friend her preference, Sydney confessed that though she’d asked for cake she knew Dan preferred pie. He shrugged good-humouredly and said,  ”everybody likes a good strawberry-rhubarb pie, don’t they?”

The cake was consumed, a good time had by all, but I knew I had a killer strawberry-rhubarb pie recipe in my files and so the next day while the celebrated couple were in the South Bay visiting friends, I prepared some pie dough and asked M.J. to pick up strawberries and rhubarb on his way home from the city.  While waiting for the fruit, I rolled out half the crust, fitted it into the pie plate (why is it most often called a plate, rather than a dish or a pan?), then rolled out the other half and cut the butter and shortening-flecked dough into lattice strips.

Once the fruit was in hand, I  hulled and halved the strawberries, sliced the rhubarb, and tossed them with the sugar, cornstarch and cinnamon before pouring the mixture into the dough-lined plate.  Then I quickly laid the lattice strips on top of the fruit–half in one direction, topped by the other half in the other direction–brushed the whole thing with an egg wash and popped it in the oven.

I’d forgotten how long this particular pie took to bake (nearly two hours) so I had time to see the A’s triumph over the Tampa Bay Rays in the 10th inning.  The bubbling pie (thank goodness I remembered to bake it on a foil covered cookie sheet) was set aside to cool overnight to be enjoyed for breakfast.

Later on that next day, after returning from dropping the kids off at the airport, I took a photo of the partially-eaten pie because it looked so lovely and because, truth-be-told, I needed to lift my spirits a bit after saying goodbye.  Then I loaded the photo onto Flickr. Today as my iPad dings the news that my pie photo has been marked as a “favorite” yet again, I’m thinking that having my photo deemed interesting by strangers and an anonymous algorithm isn’t the same as having some of the most interesting people in my life under my roof.  But it has cheered me, nevertheless.

 

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Alonzo King on Creativity

I’m always interested in how successful artists create their work.  A few weeks ago, I was lucky enough to hear four different “creators” talk about how they do what they do at a discussion on the “Structure, Art and Expression of the Creative Process” at the innovative San Francisco showroom Coup d’Etat.

Panelists included designer Jeff Schlarb of Green Couch Interior Design, architect Steven Sutro of Sutro Architects, artist Katina Huston and choreographer Alonzo King of  LINES ballet.  All of the panelists had interesting things to say, but I was especially taken with Mr. King.  Articulate and witty, he held forth like a preacher fired-up on a Sunday morning, telling us that the artist’s goal should be to “bring light into a world where there is so much despair and worry.”

Here’s a bit more of what he had to say along with some shots of creative light fixtures (raindrops! colored icicles! octopus! dinosaur fossils!) that caught my eye at Coup d’Etat.

On a creative lifestyle:  “Human beings are makers and doers.  There isn’t an on/off switch to creativity, it’s a way of living.”

On preparing to create: “I stop eating a certain way and spend much more time alone so that clarity can come to the fore.”

On originality: “When you’ve been doing this for a long time the idea of ‘authorship’ is a joke.  Everything that is discovered, created or invented exists already—you’re just excavating, waiting for secrets to be revealed.  And when you devote yourself to something, it reveals itself.”

On connecting with your audience: “A good messenger is not a showoff.  You want to make sure the message is clear.”

On challenging your audience: “If they’re giving up two hours of their time, you want to feed them well. The goal is to stir the heart or the mind, to touch them somewhere. But you also want to slap people a bit, help them come out of a stupor.”

On being tenacious: “If you’re putting out the effort now, things will improve in the future.”

On how difficult things can inform your work: “It doesn’t matter what happens to you in life, only what you become because of or in spite of it.”

Any favorite wisdom you’ve heard that helps shed light on the creative process?

 

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Kathryn Pritchett

writes about Things Elemental — where we find shelter, why we connect, what sustains us and how we strut our stuff.